Say what you want about Ryan Dombal’s review of “Skeleton” (and I’d say it’s probably too oblique by half) but that kind of voice is a target that Pitchfork should be gunning at more regularly. It’s something that’s been sorely lacking around there since they canned individual track reviews to try to compete with Stereogum or whatever. Glad to see them back with the redesign. Of course, they also ran an OJ Da Juiceman review today that had more exposition than a grade school book report, but, hey, baby steps.
